NY Daily News

 1981

“The sensational new progressive pop band the Comateens…But while the Comateens’ music is very crafty and electronic, it is also very commercial and instantly enjoyable dance-club music that you don’t have to crack your brains about.”

 1982

They’re anything but comatose

“Awake, pop/rock music lovers of the world! Turn off Waiting for a Girl Like You or I Can’t Go for That for a few minutes and tune into something new and exciting…Ghosts takes up the A-side of the three-song 12-inch and I can’t get it off my turntable….It could be the sound track for a horror movie. The Schumann-esque minor-key piano muse starts things off…”
—Bill Carlton

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Musician
NY Post

 

Miscellaneous



 1983

University Daily Reporter
Lubbock, TX

New music crosses all known barriers.

“…The group’s consistent rhythmic sound mixed with the electronic sound of the synthesizer makes Comateens a hard act to follow. …’Get Off My Case’ and ‘Ice Machine’ are the two outstanding songs on Pictures on a String. Both have a strong vibrant funk influence… Originally sung by the Crystals in the early ’60’s, ‘Uptown’ is out of this world when sung by Byrd. Her hypnotic vocals and the semi-psychedelic musical backup make the Comateens version a treasure in it’s own right. …The band’s music crosses all boundaries of music. So if you like funk, new wave or even rock ‘n’ roll, Comateens new album Pictures on a String will jar you out of your seat and onto the dance floor.”
—John Reid



1983

ETC.

“It’s good to see some of the bands from the New York area who have been toiling for years in the tough club scene finally hit the big time. While the New Wave scene back in the ’70’s was populated with ’60’s flavored guitar bands, Comateens were one of the pioneers in American synth music. Their sound, however, is rooted in music first, science later…The group is not just a synth band and there are, clearly, many ideas, influences and songwriting skills that go into the making of their music…

…What is also unique about the Comateens is that their recent success has been channeled through R&B circles. ‘Get Off My Case’ was first played on WKTU and became a dance hit — a rare case for a new band. It is this multi-dimensional persona that reflects what Nic terms ‘the two sides of the group’. These two sides are represented by funk and pop and have blended into one of the most successful new bands to come down the pike in a while.”


1983 

Red & Black
Athens GA

Comateens play danceable funk-wave mix

“…Oliver North handles the guitar with an incredible passion for (James) Brown’s style of R&B. This influence is predominant once again in ‘Ice Machine’, where North’s forcefulness on the guitar is used to steady the rap monologue that is carried on…All three members of this band were originally from New York City, and this factor is crucial to understanding their attitude in songs…Comateens image, however, remains clear, ‘Screw you — We wanna party!'”
—Chris Hoff



1984

Rochester Times-Union
Rochester, NY

Tip Off: The Comateens will rock Scorgies into a state of insensibility.

“Rock Chalktalk: They’re young, they’re wild, they’re funky. They’re the Comateens, a hot trio with a danceable sound that can be heard on their latest album, ‘Deal With It’. You can get a taste Saturday when the Comateens take over Weekends at Scorgies…”

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Metropolitan Report
Musician

 

Metropolitan Report


1983

Pick Hits

“…the trio’s new single, ‘Get Off My Case’, is the freshest evocation of techno-funk heard in these parts in a long while. Lots of current synthesized dance music is danceable. Some of it even gets down. But almost none of it is as goddamn celebratory as this. Like many soul hits of the past, ‘Case’ has all sorts of indistinguishable party funk around the edges, from the synthesized reggae beat of ‘Ice Machine’ to the Lennon-esque mannerisms on ‘Cold Eyes’. Out of nowhere, Comateens have emerged as pop craftsmen of a high and commercially potent order…more and more this album tells me to get off Comateens case — and my ass — as well. ”
—J. S.


1984

The Comateens State Their Case. An interview with the band.

—Hedi Mae Bratt

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Express
Miscellaneous

 

Express

1982

Comateens Do The Cool Jerk…

“…The band wants a real danceable groove and fills in the grooves with tunes that have a funky backbone (a lot of James Brown and Chic influences), some interesting and catchy melodies and simple but well placed counter-melodies from the synthesizer of Lyn Byrd. All members sing and their harmonies capture both innocence and a New York street cool with graceful assurance. Bassist Nic North’s training in musical arrangement helps sculpt the song arrangements into flowering progressions that change ever so slightly but at the perfect times—a key change here, a percussion bridge there. Themes of nightmares, ghosts, the wonderful coolness of being out at night in the big city mesh with the very memorable songs…catch them live the next time through these parts. they’ll show you just how cool dancing can really be!”

—Mark Shurilla

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East Village Eye
Metropolitan Report

 

Musician

1985
A Radio Catch-22

“Music is not a yardstick for getting on the air, North says; “Arbitron is — a computerized system which shows what people have liked before, but can’t possibly show what people will like in the future.”
—Nic North

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Miscellaneous
NY Daily News

 

East Village Eye

1983

Megasoma Comateens

“Take two Norths. Add some Byrd. Throw in a buncha nuts and some tasty riffs. Mix well. Whaddya get: COMATEENS. Warning: can be habit forming.

Nic: We were asked if we set out to write a certain kind of song and then write it.

Oliver: He wanted to know if we stick to a Comateen format, or whether any song we write happens to be a Comateen song.

Eye: If you have a preset formula.

Oliver: If we mold our songs. And I said that anything we write is a Comateen song. That’s where the quote from Jung came in — that it wasn’t Goethe who created Faust but Faust who created Goethe…”
—Karen Moline

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Dance Music Report
Express

 

Boston Rock

1981 

Record Reviews

“The Comateen’s self-titled debut album celebrates teenage Americana in the most innovative manner since the early Talking Heads…The hushed voice of forlorn lead-singer Lyn Byrd closely resembles Grace Jones’ deadpan as she calmly (sarcastically?) recalls ‘the day I saw you twisted underneath that Chevy’s tire.’ While Byrd explains the gruesome details, Oliver North’s screeching guitar gives the song a spare, dreamlike quality that is both cold and seductive…”

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Billboard
Cashbox

 

Billboard

1981 

Top Album Picks First Time Around

“The band writes and performs sometimes pretty, sometimes moody, and sometimes quite sparkling, pop songs.”


 1983 


1983

Dance/Disco Top 80 Chart

Comateens’ newly released 12-inch, “Get Off My Case” charts on Billboard.



 1983

Talent & Venues Dance Trax

“A checklist of summer releases which are beginning to attract play through clubs, radio and our Walkman: the Comateens’ Pictures On A String, currently a Virgin/U.K. import, and signed for imminent release here by Polygram, has the feel of an across-the-board winner—it’s the strongest black/new music fusion since the Thompson Twins’ last album, possibly since ‘Tom Tom Club.’ Key cut: Get Off My Case, a neo-James Brown arrangement with sparse chanting, which has already been remixed for 12-inch. Other funk-oriented alternates: the terrific title cut and Ice Machine (for the cold-crush crowd, obviously); more rock-oriented are The Late Mistake and Donna.”
—Brian Chin

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Boston Rock